city · neighborhood · people · writing

Jamira

Jamira is maybe in her thirties, I don’t know. She’s mentioned ‘my babies’ a few times, so I know her at least to be a mother. But ‘black don’t crack’ as the saying goes, so, with her flawless mocha skin, her age is of mystery to me. I like her youthfulness, though—the other tillers at the Chevron are stubbornly white-haired and have white-hair proclivities. John—who I like—has his homespun aphorisms, my favorite being:

Me: How are you this fine day, John?

John: (halfway drawling) Well, been shot at and missed, been shit at and hit.

Both afford me free coffee on the regular seeing as I go to the Chevron near daily for my Brazilian medium-roast, every other day for my smokes. I’ve put Jamira to the test: upon entering the store and announcing that it is, indeed, a ‘good morning’, I ask her, “So what am I getting?”

Jamira likes this game, though she gets it wrong every time. “Wait, wait—don’t tell me!” and she scans the cigarette display for my brand, which is bottom shelf and to the left. Every single time she hovers over the Cowboy Killers, which are top shelf, before invariably settling on the silver Marlboro lights: “These ones!” I shake my head. “C’mon, Jamira—I told you it’s the ones Kurt Cobain smoked.” (I found out this factoid in one of my internet searches of Kurt—we share the same DSM-V diagnosis and brand of cigarettes apparently).

“Ah—here you go!” and she plucks the Newport 100s from their place on the display. (I learned to smoke 100s at Casa Palmera because with only five cigarette breaks a day, one cigarette per session, you needed a longer smoke. Never have I seen people so eager to hit off re-frys as I did at Casa. Take away substance, addicts need SOMEthing and cigarettes do the trick).

“That’s the one, Jamira” and she smiles pretty. She’s got the best white-toothed grin this side of Cheshire, and lashes that are almost unnaturally long (they’re real, though). Jamira always wears a head wrap so I haven’t seen her hair, still I know it to be short. Her wrap resembles a Sikh turban—maybe it is, our conversations haven’t wandered into theological territory yet—with a large knot in front.

“Someday, I’ll getchoo,” she says, and I trust she will. An impulse comes over me.

“Jamira, I’m going to hazard a guess here,” I say as I pass her my monies, and she raises an eyebrow while still punching keys.

“Mmmmhmm..”

“You’re a singer aren’t you?” She looks up and Cheshire grins again.

It’s a writer’s intuition. ‘The human-sense antennae’ David Foster Wallace called it, as if we were an army of intelligible ants with probing feelers a-twitch, sussing out the people-scape with the energy of a thousand solar cells. Twitch twitch. Mary Wells face. Twitch. Sonorous speaking voice. Twitch. Would look natural as a Vandella or Supreme behind an RCA ribbon microphone. Twitch, twitch. Jamira.

You know, my favorite word—or at least among my favorite words—is ‘sonder’. It’s one of those terms that succinctly labels an inclination or feeling, in this case the ‘realization that each passerby is living a life as vivid and complex as your own.’ Sonder is engine to my writing, an innate curiosity for people, which eventually and inevitably makes its way onto the page. If I’ve sketched you, it’s because I’ve taken the moment to ponder you the manner in which an artist contemplates a subject, clothed or no. That human-sense antennae furiously at play, sending sensorial details by way of synaptic connection to the brain, at first feeling out gestalt, then deconstructing a subject into its sum parts. Like a leafcutter ant segmenting a leaf into convenient triangles, something mandibular, it’s parsing a person into digestible pieces. Do they smell of bergamot? Have a Brobdingnagian nose? Do they gesture with brio? What, when riding a lift, would their “elevator story” be? That is, how would they, in between the lobby and desired floor, take twenty seconds to describe themselves?

“My name is Jamira, and I’m a singer.”

I know this. I’ve got a nose for such things. Comes from eschewing television for the sake of real-life interaction. The sun, after all, “don’t shine in your TV,” and I prefer color to Technicolor. Cathode projections of people can’t compare to the original. We are light, but not the synchronized lights of cinematic monochromes. I mean, was Humphrey Bogart’s coat brown in ‘Casablanca’? I don’t know, but I know Jamira wears a burgundy polo. It says ‘Speedee Mart’, but I can just as easily imagine her, knowing her in real life, wearing a maxi-dress and regency gloves, and clutching a ribbon mic.

Jamira doesn’t say, “How did you guess?” which I had expected. Instead, she steps back from the register and tells me that, once in a drive-thru, she was awarded the same assumption. ‘There’s the singer!’ Four faces pressed through the fast-food window. ‘You’re the singer! We know it! You’re the singer!’

“Somehow, they could guess through the intercom by my voice!” Jamira exclaims.

“So, I was right!” I cooly remark. I want her to break out in song—this was an ulterior motive of mine—but she doesn’t. She tells me what I know, and what I confirm: that people exude things, like she exudes the spirit of a songstress even with lips sealed. Rarely are people completely je no se qua—if your antennae are properly on point, people reveal their essence. Some people read auras—I’m apparently ‘yellow’ so it’s been said, something ebullient—some people read eyes, which is helpful in this time of masks and Pandemia. I read voices, which is why I’m so quick to lure people into conversation. How they say things as much as what things they say. This is how my friend Billie read me from across the room at group therapy, knew instantly that I am bipolar. “Game recognizes game,” he famously says, and I—in turn—am radar to his manias. Just like Jenny can tell instantly if I have been imbibing, I know when Billie is riding the fulgurations of an electrical storm. Also, addicts know each other. Simple as that. There are tells. Why Residence counselors are famously shrewd, particularly if they’ve had the sickness. Of course, it doesn’t take having cancer to be an oncologist, but you know a counselor is legit and worth their mettle if they in turn fly the junkie flag. They are the best counselors. Try and pull your usual rhetorical tricks on them and you may as well be lying with a polygraph sensor directly affixed to your tongue.

(Addicts are at heart liars. We gaslight as second nature, even if we don’t intend to. A recovering addict is simply an addict that has taken up truth-saying for a change, a reverse Apostle Peter, denial something en absentia. Why the First Step, though only 8.5% of the Program, is in fact 90% of the journey).

Jamira is a singer. I’m a writer. And we are evident to each other. “I knew you’s write something,” Jamira says when I reveal my occupation, “You look like it.” I get it all the time. I’m either a ‘writer’ or a ‘professor’. My coats don’t sport elbow patches, so it’s usually the former. I don’t mind the professor label, though, seeing as professors are part and parcel to the pedagogy and I am a pedant for sure. No one guesses I spent twenty years as a zookeeper, though. I have an out of place penguin tattooed among my lithographical ink, but this is in no way a tell (it IS a Picasso after all, so it matches the gallery of High Moderns which decorate my forearms). I don’t talk like a zookeeper; don’t dress the mode—no lifestyle REI for me, no North Face; and aside from the Picasso, don’t wear badges of service like the ubiquitous dolphin pendant and/or ring (or ankle tattoo—every blond wet-suited trainer at SeaWorld sported the ankle tattoo).  Being a zookeeper remains my curveball reveal, but let me around your animals and you will see the St. Francis come out. There’s a particular brand of sonder reserved for fauna alone.

A man waits, maybe impatiently, behind me at the Chevron Speedee Mart, so unfortunately Jamira and I wrap up our conversation, and unfortunately without her showcasing her pipes. Maybe if I show Jamira I’ve written about her, she’ll sing for me. People have mixed reactions to being written about or being watched, why, David Foster Wallace argues, people sometimes evade the human sense-antennae and hunker in their living rooms to watch television. They swat away pesky feelers and watch something that cannot in turn watch them back. It is the safest voyeurism, watching television. Writers on the other hand can be very dangerous, transgressive even. “Don’t fuck with a writer—we will describe you,” the saying goes. (Once I posted this as a veiled threat to someone on the interwebs. They recognized they were a potential target, and pensively asked, “Do I need to lawyer up?” I digress). I’m mostly harmless, though: I, reminiscent of David Sedaris, collect stories like a “friendly little junkman” and deliver them as would a wet raccoon with half a frog in its mouth, depositing them here and there for the consumption.

Maybe Jamira will like my story. I’d certainly love to hear a note or two.

city · mental health · neighborhood · people

Harder as Anything Else

Supplement Tablets Have Started to Crumble & Break | ConsumerLab.com

I’m up early by nature though sometimes I burn the midnight oil. Come 6am, I’m awake, maybe hit a snooz or two, then answer the call the morning briskness provides and make my way down beneath the extinguished cold-cathode lamps of Park Blvd. toward Twiggs’ coffee house. Park is my new beat—it cuts through University Heights and south toward Balboa Park proper; it is dicier than the pastoral-by-comparison Thorn St. where I was Honorary Mayor for fifteen years. There are fewer dog-walkers than the North Park T-32–decidedly more homeless—and it can best be described as exurban. I have a good rapport with the enclave of homeless who have set up a makeshift camp north of my residence, always wishing them a fantastic day as I pass. They spend the night beneath the covered patio at Rare Society, which—during the day—is a steakhouse catering to the carnivorous well-to-do.

This morning, on my way back from Twiggs, I ran into a man swathed in patchwork quilts. His hair was plastered which, by the smell of it, was not the only part of him plastered; he held a beer bottle, and a contemptuous sneer. I greeted him regardless and he stopped me with an outstretched hand. I paused, cocked my head, and he slurred something unintelligible. I said, ‘Come again’ three times over while patiently waiting him out. When his words failed to register, he sighed and reached for my headphones that I had slung round my neck.

“Whoa—no thank you, Sir!” I said, backing away. I turned and retreated toward the Rare Society encampment where a number of jacketed and similarly quilt-swathed people were watching the exchange. Out of nowhere, the beer bottle came flying my way, narrowly missing my head; it shattered in an explosion of shards on the sidewalk in front of me and like a pharmaceutical pinata, out poured a cornucopia of pills, about a hundred amber capsules.

“What the fuck, Man?” I turned back toward him and threw up my hands. The addict in me briefly remarked the ill-spent pills as an incredible waste of a high. “What the fuck, Man—you just blew your stash.” He barked an angry, “What?” and mirrored my tossed hands. I quickly returned to a more placative posture, spun on my heel, and walked on. The troupe over at the encampment regarded my passing—“Shit, Man—he be breaking everything.” There was another broken bottle on the sidewalk in front of ‘Rare Society’, another confetti of pharmaceuticals, maybe two hundred amber capsules sum total. I just shook my head and walked on, not without wishing my (non-violent) homeless friends a ‘fantastic day.’

So, happy Monday. I wish the man well, regardless. I strap on my headphones, which he so greedily pawed, and mutter a mantra calm myself down. “It’s hard to be a human being; it’s harder as anything else.”

cooking · food · home · neighborhood · people

When a Bee Sees a Flower, Legs Ready

My order is wrong, but I don’t exactly mind. I always order the tonkatsu with double dumplings, which at this point is an extravagance for me. You work with animals long enough, you start residing in the right-hand section of the grocery store longer than you used to, actually remarking the leeks and the raddichio with a reverance once reserved for the particular marbling in a ribeye or cullotte. You start to understand sentience, and even as sentience is extended fastly to plants (!), it just feels better having flesh be something you scoop from an avocado. Julia is the night manager at the ramen house, and she tells the nearby server: “I was expecting the ruckus anarchism tonight.” In between slurps of noodles (down a few dumplings), I can’t help but quip, “Excuse me Julia, did you not notice my particular ruckusness? I’m currently ruining your establishment as we speak.” I’m sitting and enjoying the lava stone fires, and she laughs as I rearrange my chopsticks, my bookbag contents spread around me. I DID have two ladlings of ghost chile sauce in my bowl, so there’s some whiff of mischief. I work on the egg–it’s really sweet–and experienced in eggery, I know there has been some kitchen mischief as well. Trick#1: braise the egg in soy and brown sugar, crack the shell with back of a spoon mid-simmer, and let the egg absorb both salt and saccharine. Madhur Jaffery, who cooked James Beards’ hospice meals threw in rosemary as good and strange measure; also shiaoxing. Trick #2: slow-poach the egg in its shell–takes twenty minutes at sous-vide temp–then rest the egg in a marinade. Either way, you get an egg you won’t find at Denny’s. If you think about it, the drive-in, diner shit is a hundred years old; global cuisine is much older. Michael Pollan makes a point: eat Old World stuff. Tomatoes and olive oil, as example. Basis of Mediterranean food culture–the combination of ingredients are symbiotic, meaning one ingredient heightens the other in health benefit. It took a co-evolution of plants and people to figure this out, which is why Old World food is better.
I push aside my bowl–too much meat in it. I’m at a corner stool, and Julia is still floating around, tamping down the apparent ruckus that has yet to demonstrate itself. I ask for the check, and I thank her. “Hey–first full meal in a while.” She smiles, “You fasting?” I look down at myself, then back at her. “No,” I laugh. “It’s just been a rough week, so thank you. It’s actually been a fantastic day.” I draw from my reserves and from how I thoughtfully cook as a philosophical thing. “Julia I’m great,” I say. I spend a lot of time in the kitchen, and I know that you are what you eat. The bill comes back, and it’s a fraction of what I owe. I tip big and duck away. Julia writes me a note on the receipt, which I tuck into my pocket, and I smile at her on the way out.
Tomatoes make EVOO healthier, vice versa. There is the mutualism of butterflies and plants. There is echanged acknowledgement, like when a bee sees a flower, legs ready.

city · home · neighborhood · people

Duchenne Smile

“Oh, is this your bench?” she apologizes, and I poo-poo her.

“It’s not MY bench, perse, I just like to sit here. Please don’t leave on my account.” I thumb back to my right. “There’s also an Adirondack chair around the corner in the weeds where I can sit for a spell.”

She has dramatic eyes: orange and plumbago above a plain surgical mask. She is pretty, I can tell.

I pet her dog, which has the broad and intimidating head of a pittie, but is puppy-breathed sweet. Brindle with tail wagging.

“I’ve seen you,” she says.

“Oh yeah?”

“31st and Thorn, I think.”

“I’m all over this joint” I say, waving vaguely to the city, which I have fastly considered my home.

This is becoming more and more a thing: I get recognized for simply being the perambulist of Altadena, the outskirts of North Park. I have made so many instant friends, it’s crazy.

“What’s your name?”

“Pam.”

“Nice to meet you, Pam,” and we don’t shake hands because we’re mummified in masks and decorum., but she smiles.

A Duchenne smile has two components: a contraction of the zygomatic major muscle, which raises the corner of the mouth; and an elsewhere contraction of the orbicularis oculi muscle, which results in crow’s feet.

Pam’s smile meets the Duchenne requisite: the orange and plumbago make a sunset out of her eyes. Though I can’t see her mouth, I know she’s grinning.

There’s an opposite, you know: the Pan Am smile, which involves the zygomatic muscles only. You know who showcases this grin? Beleagured flight attendants, threatened chimpanzees, and Botoxed out injectees.

A chalk drawing outside the Art Studio says: ‘What if six feet and a mask made us all closer?” I love this sentiment. There’s a certain kindness these days, more ‘hellos’ and waves. Duchennes smiles for days, which you can see above masks, smiles reaching the eyes.

We’re all in this together. May your smile crest the edge of your nosepiece, may it show in a twinkle of the eye. Blessings.

Nice to meet you, Pam.

city · neighborhood · people

Convos with Chris.

Convos with Chris in the morning can be like this:

“Are you a better man today, Chris?” I ask Chris, which is our way of greeting.

“You know it, Thom.” And I get my ginger ale, and because the store is empty, we talk while leaning elbows over the counter.

“Whatcha doing this weekend?” Chris asks.

“Got some writing to do. Isaac Asimov was asked if the world were to end today, what he’d do,” and I pop the tab to the Bundaberg.

“Know what he said, Chris?”

Naw—what?”

“He said: I’d type faster.”

Chris leans back and laughs: “Got a question for you” and points. “You’re always walking and thinking,” and he gestures in a circle, “Is this, like, predetermined what you write? Like, do you figure it out, then put it on paper?”

“A little bit. I get a sentence or two, and then,” I make a swooping gesture, “It’s flow. Taking the walks is readying the flow.” There are a thousand bottles behind Chris on the shelf; I haven’t bought any.

“If I knew Braille, Chris,” I say, “I’d write with my eyes closed.”

Chris has hands that are hidden in his sleeves, but suddenly they’re out.

“Thom, it’s like video games, like, the reality ones where you have to think and build and it’s on the fly. I’ve always got a PLAN,” he emphasizes, “But there’s a point you gotta think or act on instinct or something.”

“Exactly.”

“Do you play chess?”

“Yes.”

“Me and my brother Sly play,” and Sly is the reticent son who mans the shop in the evening, hair knotted behind his head, never a forthcoming word.

“Chess is big at our house,” Chris continues, “And Sly once set up a chess board in the house and said: one move a day. He and my Dad play all the time.”

“One move a day? I like that.”

“Yeah—he’s like a mathematical genius. He said, ‘Let’s slow our play.’”

And I snap my fingers, and swig my ginger—“That’s a brilliant idea, Chris.” And for two seconds I think.

“I’m gonna do that with my Kid. He’s already beating me at cards. I can’t take the humiliation.”

Chris laughs.

“But slo-chess…I like it. What’s your favorite piece?”

“Oh—the knight. I like the ‘L’s. My dad calls the bishop ‘The Minister.’ What’s yours?”

My eyes do a chessboard, and I think to all the little men moving their moves.

“The Minister,” I say, “Like what your Dad calls him.”

Because moving fast and moving slow requires the middle, which is, as the Bishop goes, diagonal.

Chris and I knuck; at home, I set up a chessboard, magnetic, one that I inherited from my Grandpa, the pieces clicking into their starting points. Click, click.

“Cayde: I’ve got a new game.”

people

Maui Rob

I met Rob in Maui where we would spend the nights in conversation beneath a frangipani tree, the night air sticky from the nearby ocean. We were both staying at a resort on the northwest side of the island where you couldn’t avoid golf courses, and where Falkland pines were the transplanted windbreaks necessary to hem in the drives from visiting tourists. The pines were foreign to the lower, more outspread plumerias; the shorn grass even moreso.

Rob may have been a golfer; I didn’t ask. He was an insurance adjustor, or at least some other bland-faced profession of small report. Rob, however, was also a meteorite hunter and this piqued my interest.

“What was your favorite rock hunt?”

“Definitely Siberia.”

This was the Chelyabinsk Meteor that was broadcast on social media five years ago, when windows exploded their sills and hundreds of people got injured from shattered earth and shattered glass. Rob was quick to take a leave of absence from his job and make a plane to the Ural Region of Siberia. The meteor had broken up in the atmosphere, meaning chunks of space rock had fallen into ‘dark flight’ after first lighting up the sky. There was a flash greater than sun, than a burst wave that pounded the ground. The meteorites fell strangely unignited into the snowfields, thousands of rocks making holes in the ice drifts.

“I holed up in a hotel, hired a bunch of locals. Took out a five-figure loan from the bank. Trick was: the local scavengers searched the divots in the snow. The holes were either made by foxes, or by meteorites. I had a line of a hundred people bringing me rocks within a day.”

We talked about this while the ocean breeze rolled in, plumeria-perfumed. It seemed almost inappropriate, to talk about harvesting the cold distillations of space while shirt collars were open and the beach nearby. I thought of all the villagers trudging through the snow in felt Valenki boots, hauling stone for Rob from Arizona. But Rob was excited about his geological wherewithal: chondrites and regmaglypts, which he explained in detail. The things you can be passionate about, but also commodify. Like, you can own space that greets the earth with aplomb, and capitalize on wayward rock. It was very confusing to enjoy his company, but I nevertheless did.

I don’t know what this post means, save for my constant ambivalence when it comes to meeting people. Everyone has a story, a zeal, which guides them, sometimes lands them some modicum of success. When not talking about space debris, Rob informed of his son who had been diagnosed depressive, had feelings of suicidal ideation, who himself was a wayward rock. We’ve all got some story: Rob was going to guide his son through the Road of Hana on the last day I spoke to him, an attempt to salve his son’s open wounds. I hope it was a good earth-bound trip.

Love each other, and find stories in one another.

mental health · neighborhood · people · sobriety

Melissa

“My name’s Melissa,” they said, while wearing short shorts, a mesh jersey and a three day stubble. Melissa had descended from San Francisco, six years into a meth and drink habit after some fifteen years of sobriety. Their lover had died, and so went off the rails.

I was on my morning constitutional and listened to Melissa’s travails. The cops had harassed them the night prior, and Melissa was suffering the ordeal wandering the streets of NP at five in the morning.

“The worst part,” Melissa sniffed, “Is they kept calling me Sir. I am a transgender female. MY name is MELISSA. I am a Miss.” Melissa had dirty hands and a dirtier headwrap. They were obviously high, but I continued to listen, and acquiesced to buying them a grape soda from the corner store. (“I’m diabetic,” Melissa imparted).

Tonight, come midnight at my meeting, Melissa was there! Across town, as dirty, but also cleaner. “I just graduated from the McAllister Institute and I’m twenty days clean. I want to talk about gratitude,” Melissa said.

When I shared, I reminded Melissa that I had met them before, and that I was grateful my Higher Power acts on me and leads me to people. (I said a lot of other things, but those are reserved for the Rooms).

Melissa gazed at me, then said, “Yes, I remember—you were kind to me. I was high that day, but I remember.”

The meeting continued, then halfway through, Melissa tapped me on the knee with a grubby hand—“Hey.”

I looked up at Melissa’s myopic eyes and they whispered, “I’m leaving for Portland tomorrow, but—” and Melissa slipped a necklace off their neck bearing a ‘One More Day’ talisman, “I want you to have this to remember me by.”

I took the necklace and solemnly slipped it round my own neck. “Thank you,” I mouthed.

I left the meeting early and sat dumbly in my car for a moment before driving home. I slipped the talisman from my throat and hung it on the rear-view mirror where it caught the light of a street lamp. You never know who you’re going to meet, or when you’ll see them again.

Melissa, I’ll always remember you, and be reminded what it means to be ineffably, indefatigably kind. May you do well, and Godspeed Miss.

neighborhood · people

Dougie

My name’s Thom, by the way.”

“Doug.”

I pass by Doug every day on my morning constitutional, and today I sat down with him to talk.

“How’s it going, Doug?”

(I give him some bus fare).

“I’ve got a job lined up. Gonna paint some lady’s bannisters. Should take me a day. I’m a painter by trade. Should earn me $200!”

“Good for you.”

Doug is homeless, circulates the Park and 30th Ave. with a neat suitcase and a fresh white ball-cap.

He tells me he’s awaiting the sun, that he’s looking forward to seeing his favorite dog come round the neighborhood. A beagle named ‘Toby’.

He tells me he was the eldest child and that he named all of his own beagles. ‘Penny’, then ‘Nickel’.

“I got so embarrassed taking them to the park. They’d get a squirrel-scent or a rabbit-scent, and then they’d take off.”

“They’re hounds, my friend—it’s what they do.”

“I’d have to run after them. I’d get so shameful.”

“No shame in running after something you love. You’re good, my friend.”

depression · favorites · mental health · people · prisons · writing

The Guilt We Harbor, pt. 1 (for Maggie and my brother)

magsBrother:

It’s been a long while since I contacted you.

“Where are you?” you may ask, though you have my mailing address and I have yours.

I ask the same question most every day. Not out of geographic curiosity.  I know where you are and I’ve an idea of what your walls may look like: the beds, the barracks. The sea of prison blue. I know you’re situated in the middle of King’s County with a sky that must be devastatingly incredible.

I’ve driven the 5 a few times over in the time you’ve been gone and have seen the tired pistoning of oil pumps; the ruminative cattle; and the white, white haze which seems to jump senses into whiter noise.

 “It’s my family.” I sat on the stoop, shoulders with Maggie, attempting to tell her, exactly, why life had, through the course of one phone call, suddenly changed.

“Family? When is it NOT family,” Mags said in return, shaking back her sleeves and lighting a cigarette.

Twenty hours prior, we had exchanged surprise at the fifth of Amsterdam Maggie had secreted in a potted ficus, yet somehow forgotten during the course of a mutually attended wedding reception. Like goldfish we had disremembered our aqueous surroundings: David’s wedding was on the water, and we were aquarium drinking.  There was a photo of us taken on a short pier, me and Mags seemingly in deep philosophical discussion, but most likely discussing the particular economy involved in sharing a surprise fifth–an odd number to split on the even—and she, smoking with abandon, her last cigarettes.

Maggie wore black to David’s wedding, because although David remained one of her favorite ‘Goys’, to Maggie weddings were on par with Shiva calls. She always wore Onassis sunglasses, especially when ‘I do’s’ were said, a widower’s affect despite not being a widow. She drug around her ex-husband’s last name, though, as if holding on to the dead like an odious and ill-expired pet, taxidermied and talismanic in the corner.

This is not chosen.

Maggie was herself seemingly always sitting Shiva, her own divorce something of funereal gloom and requiring shrouded wedding photos; since the divorce, funerals and weddings were all the same to her, attended with equal distaste and with equal aperitif of vodka, a bottle of which she carried in her clutch to mediate her more dour tendencies. All vows were requiems; all requiems were ‘Well, thank God that’s over’; life was just the something in-between.

She was the first person I called upon receiving the news.

I’m writing this letter. I need for you to hear me, or at least the story of the past three years–those you spent within labyrinthine corridors of concrete. Consider me a conduit. When lightning strikes a tree, its fires are shot through a thousand tissues and limbs fall in beautiful wreckage and the ground crackles a hundred feet around. In the end, the tree bears a scar and it continues wrapping rings of growth around its most blackened parts. The tree keeps growing but it will always have, coiled in its history, proof of its damage.

‘Hang in there’ was something Mags would never have said to me, and God help me were I to ever say as much to her.

‘Hang in there with what—a fucking noose?’

Maggie reserved her gallows humor for any day the executioner’s hood had any particular and existential menace. By this metric, her bed may as well been built over two trapdoor flaps, headboard at their join. Every day she wore black in presage of a coffin and the billowier her shroud the better—like Death, just ecumenical and without the scythe.

“My brother was arrested.”

“Ok.”

Maggie smoothed out her dress, a Guatemalan print still wrinkled and maybe half-dry.

“Ok,” she said again, her Sag Harbor accent more prominent this time, and she leveled out the lap of her dress until it was in a neat triangle across her knees.

“Does he have a lawyer.” Maggie had placed her cigarette to the side, needing two hands to fix her skirt; she recollected her American Spirit from ash-headed perch on the stairs. We were sitting outside, the same stairs she had mounted just minutes earlier with crossed-arms and ever-present dark glasses.

It may have been the odd first question, not a query into the nature of the arrest, or inquiry into my wellbeing. Was I upset? Else perversely vindicated of any criminal excess I had participated in that weekend?  Mags and I were both still riding vapors of the night prior, the effluvium of surfeit vodka seemingly present. If not present, at the very least coloring the bedsheets I’d left unmade back inside, me having been near malarial with sweat. Maggie certainly had more than I did the night prior, but by contrast was already properly coifed and perfumed, tight curls dried to her forehead like a magisterial wig.

The last time I sped through King’s County was with Bradley in a U-Haul truck. A trailer shimmied behind us bearing a vintage car and three bristling, sleep-deprived cats. The cab smelled of Kamel Reds and spent coffee cups. By mid-morning, just beyond the King’s County HP Station and directly beyond the rutted half-roads which finger out into the farmers’ fields, I felt I couldn’t concentrate any longer on the highway lines. We pulled over and slept on the grass beneath these wispy clouds that promised an unerringly still, cricket-shivering night. Brad slept on the trailer rig and, when he awoke, pointed out that I had slept in the grass beneath a sign reading: ‘Dog Lawn.’

“Does he have a lawyer,” she said matter-of-factly, and not as question.

Maggie and I both knew, contrary to American judiciary standard, that we were all—and without courtroom session necessary—guilty of something or other, no need for trial. Innocence was reserved for children and cats. Maggie’s Talmudic learnings plead otherwise, and she herself was a social-justice warrior—her collected poetry spoke to that end—but Maggie was wisened, jaded, fresh off a nasty divorce.

To her, life had become unfair, or at least only comprehensible if everyone shared in a free-floating and collective blame. You couldn’t exactly call Maggie a nihilist; still she wore black to weddings.

And she knew that what everyone needed, sometimes, was just a really good fucking lawyer.

“I don’t know,” I said rubbing my eyes. “I just found out. He was probably in the back of a police car when Dave was cutting the cake.” I borrowed Maggie’s cigarette and took a draw.

“My mom called,” I said exhaling, “Which means my brother’s already past his jailhouse phone call.” I handed the cigarette back. I still hadn’t showered.

“I mean, I’m sure Mom wasn’t the first one he called upon being brought in. Probably the last person he wanted to talk to.” I crossed my arms while waving away the smoke. “I’m guessing he’s out on bail.”

I thought of you arriving at Avenal, looking up from your handcuff-fisted lap, and seeing stark blue lights against a long-ignored landscape.

Maggie finally asked: “What’d he do?” She looked straight ahead, working backwards from her initial question. Mags was the esquire in reverse and, with black robes, presumed judge, too. I stopped my hand from stupidly waving and inserted it into an armpit.  I turned to her with one eye squinted.

“Mom said he thought I’d have known.”

“Known what?” Mags wasn’t impatient, but rather soft in her questioning, dissolving me of complicity before I could place my own self in manacles.

I didn’t answer, not directly. Instead, I turned again to look straight ahead, parallel to Maggie’s’ gaze. I changed the subject.

“You know, I finished ‘American Psycho’ this morning. Ain’t that some fucked up timing,” I snorted. We stared at the street while Mags extinguished her cigarette. A jogger labored past, out of breath.

“Is your brother a psycho?” Maggie deadpanned, still working backwards with her line of questioning.

“Naw. But he is American, so there’s that.”

We’ve both ushered that fire into the ground in different ways, but both bear darkened rings. We’ve both been conduits and have had the lawn throw up sparks beneath our feet. We’ve both had fire run through us, and wait for the ground to speak its response.

Maggie allowed a half-smile. In her less sober moments, which were many, she’d throw on a Clash record and shout along with Joe Strummer: ‘I’m so bo-ooored with the USA!’, just replacing ‘bored’ with ‘scared’. These words she’d shout with expatriate gusto as if her garden gate was border enough to keep out the particular stars and stripes she eschewed on her own freak flag.

Mags was a raucous rabble-rouser, yet still privately scared of her own rebellion. She was convinced her phone was tapped and that the FBI had a file on her six inches thick. “Fuck the police!” was one of her war cries. “Fuck the Man! Fuck a duck!”

“My brother hit a woman over the head with a rock, Maggie. On a greenbelt. He wanted to drag her into the bushes and cut off her panties as trophy.” I scratched my head and blanched at the word ‘panties.’ I widened my eyes to rid them of disbelief.

I borrowed Mags’ smoke again. She had lit a second one already.

“Then again, Maggie, I dunno. Maybe he is psycho. On top of being American.”

I’m damaged. You are damaged.

 Maggie simply nodded and placed her hand reassuringly on my knee as I blew smoke.

 

__________________________________________

 

Maggie and I lived in North Park, perhaps a mile apart, and though San Diego spans a 100-mile stretch of shoreline, there are densely populated islands in the median, one of which Mags and I inhabited, just shy of Balboa Park’s arcaded museums. Regardless of proximity, we drove cars to see each other. It was like living in Los Angeles, but with greater sun-bronzed apathy. The coastal architecture was made up of disused naval ships instead of gantries, and culture less varied than one would expect from a border town.

The first and last prisons built in California reside on the US-Mexico border. If the federal penal system could extend its reach into the Tijuana pleasure-lands, it would, depositing prisons like unwanted cargo just past the border checkpoints. As it stands, San Diego is where Father Junipero Serra built the first Presidio before heading North, waving judicial crucifixes at ‘savages’ and proselytizing others.

Since Serra days, the state has extended a thousand miles north, then back, so that at journeyed loop, there is also the last presidio, Donovan Correctional Facility, a concrete structure, Class III-IV, parked above CA on one face, MX the other. It can’t go further either way, and bulldozers scape the face of the hill where Donovan perches tenuously. There’s a watershed amphitheater down the canyon to one side and a landfill on the other. A mile distant is an amusement park.

Donovan holds Sirhan Sirhan, a  Menendez Brother, also one of the Toolbox Killers—all Los Angelenos with varying and gruesome psychopathy, all somehow housed in the same penitential block and classified equally despite the disparate sufferings of their victims. They’re all three hundred miles away from their respective crime scenes–the Toolbox Killers’ gore-theater in the Cleveland Forest being the worst—and now all are granted cinder block views of Mexico, in California’s fairest climate, all imperfect justice at the end of the Golden State Penal road.  My brother almost wound up there.

Maggie’s boyfriend—her ostensible boyfriend—as they’d only pressed palms against bulletproof glass, else talked on jailhouse phones, resided meanwhile in Corcoran.

He’d been serving time in the hole—an extended stay—for having too many postage stamps on his person; this in a facility where, across the yard, Charles Manson lived in a lush solitary all his own, free to write as many lettered manifestos as he pleased, relative to his notoriety.

Maggie’s boyfriend, Christopher, ran a poetry press from his cell, and was made medicinally contrite, weakened by the lithium he was prescribed, otherwise ravaged by years of meth abuse up and down the SW Sudafed Highway. He was a three-time loser, owlish in his spectacles and with jaundiced eyes; sleight of frame; and sporting slick-backed hair.  When the volume of Christopher’s correspondence became suddenly suspect, he was kicked to the Hole—this somewhere roundabout the time that Mansons’ third—fourth?—parole hearing was being televised.

There are no flashbulbs in the Hole, no video cameras, and precious bodily fluid certainly can’t be wasted on postage stamps, so Maggie—by default—ran Christopher’s press en absentia, dutifully licking envelopes and resuming correspondence where Christopher had left off, his Rolodex certainly less impressive, less shambolic than Manson’s. It was never talked about that Christopher may also have been dealing drugs during his Corcoran stay. It was easier to imagine his crime involved going postal, so to speak.

 

Maggie pours the scotch and we’re sitting on the back porch, which a friend of hers has fenced in with cheap lattice-work lumber, all to hem in the cat and otherwise give the ipoema a place to root, violet flowers sinking into wood, providing cover, but reducing everything to splinters in the meanwhile.

“What is this?” I jog a pill in my hand, white and nondescript.

Maggie rearranges her limbs to approximate queenliness. She has a crack in her glasses.

“A downer, I think?”

“Percoset?”

“I dunno. Let’s try.”

I shrug. Mags has a boom-box playing a bluegrass version of Pink Floyd. I swallow the pill with a hit of Dewar’s.

“Why—Mags—are your glasses cracked?” The Prayer Flags behind her are aged, evaporated with either over- or underuse, and there are two Guatemalan dresses left to dry in the evening air. Big purple blossoms break the lattice-work balcony, blue in the evening-set, and ‘Comfortably Numb’ plays, uncomfortably, on fiddle.

“I was so depressed today; and I got a second psychiatrist. I was prescribed something new and I literally hit the wall.” She shakes the rocks in her drink. “I mean, I fucking fell down.”

“Do your psychiatrists know about each other?”

“By name—shu-ure.”

“You really shouldn’t be mixing your meds,” I said, irony train neatly docking into station. The downer coursed my system, leaving behind a shivery wake. I fingered one of Maggie’s poetry books, which lay discarded on the patio table.

“Mayakovsky clutched a rivet, only the rivet metamorphosed into a gun pointing straight at his heart: Art”.

 Maggie literally wrote poetry to save her life when life was an otherwise confusion of conflicting meds and medicated conflict.

During Maggie’s divorce, when existence was the figurative wall she crashed into, and not the literal one that cracked her glasses, she wrote a book called ‘7th Circle’. It is a slim-spined collection of poems about suicides; she had sublimated her pain into researching and writing various pieces on Mayakovsky, Jean Seberg, George Trakl, Diane Arbus. It won the San Diego Book Award for poetry.

Despite having narrowly avoided the Seventh Circle herself,  still she says: “I can’t fucking take it anymoire.”

“I know Mags, I know.” On cue, ‘Comfortably Numb’ stops playing.

Maggie slept with a gun in her handbasket next to the bed, paranoid, anxious; she had a confusion of prescriptions, but always a neat handle of scotch in the pantry. I know because I unpacked it for her when I helped her move. Also, we hit it often when communally writing poetry, else editing other poets’ work. She was a mess and I was fast becoming one, all this speed and slowness, the cigarettes and pills; the walking into walls.

Maggie called life ‘Continuous Performance’, and that’s what it is, that’s what it was.

Brother…

 Sometimes I spent the night at Mags’ when the gun was too present in the handbasket, when she was drunk and scared; when I would sleep chastely in her bed, wrapping my arms around her, she the Maude to my Harold, the tobacco present on her dressing gown. I’d lie awake and smell her lavender and love her to sleep.

She had a boyfriend in prison; I had a brother in prison, and we’d fall asleep lotus-eaters, shot through with pathos, rocks settling in the bedside scotch.

 

___________________________________________________

 

I remember when Christopher was released for a brief time and how he held forum at Maggie’s house in front of an ashtray. He was smoking a long and almost effeminately thin joint. Which was “safe” he confided, because “California only looks for uppers in my system.” His hands were strange deep-sea jellyfish, fingers not unlike wavering tentacles. “California is a river of blue, ” he said tapping out an ash, “It is punctuated by a braking of bus wheels and penitentiary-blue lights.”

A wave of the hand, a drag on the tightly-rolled cigarette. “California is blue.” He looked pleased because, above all, he was a poet.

This all happened before and after 9/11. On 9/11, Maggie and I traded a bottle of wine back and forth on her bed and watched the news, saw the Trade Centers fall in occasional time-elapse, like films of flowers speeding to the ground.

“I always hated those buildings,” Mags said, handing me back the bottle of wine, but with tears in her eyes. She was a true New Yorker. Christopher had yet to emerge from the Hole and my brother was just skulking the greenbelts in practice-walks for his later crime. Maggie had vases of yarrow on her bedside, and rosebuds. We were both fiercely against the New Cold War and fiercely into drink.

I don’t know who said: “We deserve this, don’t we?”

And it may have been a personal revelation, on a duvet, in a house with a TV and with buildings falling down, or it may have been a revolutionary statement.

As Maggie wrote:

‘A Gestapo agent pointed to Guernica and asked/:Did you do this?/No—you did’

We may have had Mexican food that night. I vaguely remember. I just remember falling down in the restaurant and saying, “It’s all my fault” like a building crumpling, like a spent flower.

____________________________________________

Christopher was released from the Hole before my brother rode the sea of penitentiary blue. Christopher attended my wedding even—eight months following Tower One’s collapse—as Maggie’s date. And my brother was there, too, hands folded in lap in some premonitory idea of manacles, while my wife and I released butterflies into the June malaise.  Both Christopher and my brother would soon ride buses to penitentiary—in Christopher’s case, for the fourth go-round—near the same time.

Anyways, I thought of Christopher there on that dog-piss grass: I saw him last in the SD Jail. Maggie sobbed in the periphery of the visiting room and I took up the phone that lay unceremoniously on the steel-grey table. I picked up the receiver and looked at Christopher behind the glass–he was all slicked-back hair and waxed moustache; he wore a tight-lipped expression. By his admission, he was on a diet of heavy metals and liver medication. He wore thick glasses, which made his eyes look disproportionately huge and wallowy in the otherwise context of grey brick and cold, cold light. Maggie sobbed, and she sobbed. I held the phone to my ear and didn’t know a goddamn thing to say.

“Take care of Maggie,” Christopher had a habit of saying during his brief foray out of penitentiary, which I should have taken as premonition.

Christopher was picked up outside a house in La Jolla Farms, high on meth, having attempted to break into a house with clearly lit home burglary system alarms. He was seated calmly on the sidewalk in front of the estate smoking a cigarette in laconic fashion while flashing lights and a waiting pair of handcuffs coursed his way.

My brother, meanwhile, was found with blood on his shoes, walking in a daze after his victim had successfully fought him off. He had an unworn ski mask and a pair of scissors. He wielded other accouterments, too, he later told me, but he never revealed what. The full inventory must be recorded in some police ledger or stenographic receipt somewhere but I don’t have a transcript of his trial: I just don’t know, and some details are superfluous anyway.

To wit: I wore a black suit with a red shirt the only time I visited my brother at Avenal. I had IHOP for breakfast: buttermilk pancakes, black coffee, and two Vicodin Maggie had lent me for the occasion. Everywhere there were oil pumps in various stages of deterioration, piston heads slumped in mechanical inebriation, disused, rusted, their heyday sup of premium crude having long since been polluted with brackish transudation, a great and rusted machinery stopped. The fields were fallow and run through with weed-choked irrigation ditches. The suit which I caught sight of in the IHOP plate glass was the same I had been married in. My shirt was the otherwise feint at insouciance, a vintage find with a large collar worn unbuttoned at the neck. I was being an asshole. My visit was not so much out of compassion, and I hedged on it even being an obligation. No: I had come for my brother’s birthright. He was the eldest, the forever good son, and I had always been the black sheep—as evidenced even by my choice of black gabardine that day. I wanted to prove that after years in second place, my mere existence outside prison walls won me the favorite son pelt: I was Jacob, and my brother in his stupid penitentiary orange was Esau. Maybe he wore penitentiary green. Again, some details are superfluous. I just remember my brother ate from the vending machines in the visiting room, fingers childishly stained with orange Cheet-o dust, and I felt a snarling elitism. My fingers were clean, my shoes unbloodied. “Free, white, and 21,” as Maggie would always say, free in the sense I had virgin wrists, unlike my brother and Christopher, whose wrists had been defiled by the snapping of cuffs, their hands literally tied, manacled, courtesy of the penal system in the great and golden state Californ-i-a.

I first met Christopher on the phone 3(?) years ago when he corrected my pronunciation of Greek poet Yannis Ritsos. And here we were again–on the phone, but face-to-face. “Thom, take care,” he said. “Take care of M.” I took care of Maggie by kissing her in some hopeless manner on the cheek, and leading her out of the Piranesi-inspired civic building, phone hung-up and Christopher disappeared.

 In jail as in prison everything watches you. Elevators only open up to narrow corridors, there are mirrors everywhere. In penitentiary, there are gates upon gates, like steel-braced grimaces, and guards finger their clubs. It’s a matter of guilt by association, like Maggie said: ‘Everyone needs a good fucking lawyer,” even if there’s no blood on your shoes or if your system is clean of what the system says you can’t have. You’re just guilty for living, guilty by association, even if you haven’t been tried and accused of anything. We’re all guilty, and sometimes we sit on a curb waiting for the guillotine of justice to drop while waiting outside a burgled house, either high on Sudafed or with spatters of O negative on our boot-tip.

We’re all guilty. We’re all guilty.

At the Poetry Awards, Mags gripped my arm with nervous strength. A crooked arm flexed.

“I doin’t know,” she said, unsure if she should be here, there.

I kissed her cheek.

“Of course you should be here.”

We drank white wine and hid behind the junipers. When she was in her married house, citrus hedges hemmed in the house, and the wood was dark. Maggie always hid. Her current house was of a strange snail-shell design, her bed in the middle of a coil with an incongruent sunroof, briars out front. She decorated her windows with velvet draperies to hide in midday dark. She hid behind damask and dark sunglasses and drink.

“You ok?”

“Just noivous.”

She shouldn’t have been. She won. Maggie Jaffe for ‘7th Circle.’

I run too fast

I fly too high

I hit to hard

Too wide my eyes

Too full my heart.

Too deep the pain.

In the bathroom of the SD Jail I held her. She was in front of a mirror, red-eyed and cursing. There were so many cameras and squinched-in seats and phones and iron-greys; so many cramped elevators and narrow corridors and convex watching glasses; so many forms and disparaging looks; so much free-floating guilt.

She hunched over the counter with red-rimmed eyes, hands trembling, and her shoulder blades were butterfly-like when racked with sobs, pumping like wings.

“I just can’t take it anymoire,” she cried, jaggedly, and it was about being watched while simultaneously watching over, this curious opticon of prison existence where everyone is assumed guilty and no one is innocent.

“I just can’t take it.”

“I just. Can’t take it.”

“It’s alright, Mags. Let’s go home. I’ll drive.”

 

 

mental health · people · rehab · sobriety

Mikey

guitarMy roommate Mikey and I dug up a guitar from the rec room closet, some thrift-store quality six-string, small-bodied with a laminate top.

“I dunno, Mikey—the D-string is missing the fucking tuning knob.”

Mikey, though, was a scrappy ex-Marine—youngish—with a knack for problem-solving. He was slight of frame, half-Portuguese half-Mexican, and could’ve passed for a young Che Guevarra were it not for his battalion tats and ear gauges.

“We can figure this out. We need some music up in here.”

I tuned the guitar save for the D string, which buzzed noisily against the frets.

“Well, it’s not like we can go up to the nursing station and ask for a pair of pliers. Sharp objects and all. Imagine: can I get my Librium—oh, and a needle-nose?”

Mikey laughed, which was good. He was in for PTSD and suicidal ideation after a training exercise had laid him flat on the ground, shot by his buddy on accident.

(‘Where’d you get shot?’ I’d asked him. He pointed to the area above his right clavicle, where the neck meets the shoulder. I thought of the Angle of Luis, the imaginary line used in Jacobin times to guide the guillotine blade: where the bullet entered then left Mikey’s body was at the angle’s apex).

We searched the Day Room for something to MacGyver the guitar. Mikey, ever resourceful, settled on a ballpoint pen. The pen is mightier than the sword, after all, or in this case a pair of pliers. He unscrewed the butt of the pen and held it up for examination, fingering its clip.

(Mikey fell on the training field into a trench, his right arm useless and tangled in gear. With his left hand he wrested a field knife from its scabbard and hacked at the strap of his assault rifle while spewing blood from the mouth).

“Let’s try this,” and Mikey pinched the clip of the pen against the cap like an impotent set of tweezers and set to work on the D-string gearwork. We took turns with the makeshift pliers and bullied the D into tautness.

“Just a smidge more.” I played the D against the G.

“Perfect.” C chord, D, A, then G. All sounded good.

(“What’re you in for?” he’d asked.

“Substance,” I said simply, though the answer could’ve been more complicated. I’d been on ludestra, topomax, vraylar, escitalopram, aripiprazole, naltrexone, buboprion, benzodiazepines, trazadone, mirtazapine. Oh—and vodka. Call me Tennessee Williams, albeit a Tennessee Williams who hadn’t yet swallowed the cap).

Mikey handed me the guitar and I started playing ‘Autumn Leaves’, just funked up with lots of staccato.

“Righteous.” Mikey picked up the guitar case and started drumming out a backbeat. Me and my buddy, the young Che look-alike, our own makeshift happy band in the Day Room of Sharp Mesa Vista hospital.

Melissa joined in, Veronica too. Lyndon, the blind guy who had lost his vision in a rugby accident (and I never got to ask him if he still dreamt in color)—we all sang along and tapped out rhythms while waiting for meds, for nighttime snack, for discharge, for second chances—maybe third–, for homes halfway and otherwise, for whatever spirit to escape its shivery place inside of us and make us whole. We were altogether too loud considering the hour, but because we were laughing, the nurses let us be; and it was proof that, despite our could-be sadness, despite our private desperations, there was in that moment the greater capacity for pure, unbridled joy.

“That was awesome, Mikey.”

“Feels good, Bro.”

I’ve not looked back since leaving that hospital, but instead look for Mikey wherever I go, in the Rooms, in my recovery, so that I can continue growing a joy undiminished, to live, and in the return to living, perhaps sing.